Feb 13-April 24 - Methodical Madness-Creative Prose Workshop (GSWP)

February 18-April 8 - Crafting Sketch Comedy

March 1-May 17 - Writing For TV & Film: A Master Class

March 14-April 11 - DIY Book Promotion & Professionalism (GSWP)

May 20 - From Page To Podium: Reading Your Work Aloud

May 24-June 14 - The Business of Writing

June 3 - Self-Editing: Do What You Can & Then Pay A Pro To Do The Rest

Aug 23-Sept 27 - The Art of the Middle: A Novel Writing Class






 Wednesday evenings from August 23 through September 27,  6 to 8:30pm

A 6-week workshop with craft lectures, in-class writing and discussion.

There are plenty of classes on how to write dynamic first sentences, opening chapters, and closing lines, but very few resources to help an author conquer the hardest part of a book: the middle. Encountering the depressing middle work is often referred to as "sag syndrome," and many would-be novelists abandon their projects altogether during this period.

This class is designed to save you from that.

During THE ART OF THE MIDDLE, writers with a novel-in-progress will work intensely to add new sections to their book each week by roughly drafting the middle of their novel. Each 2.5-hour weekly class will feature manuscript feedback on your work, critical reading, craft talk, lively discussion, and in-class writing time.

You will also write outside of class. In six weeks, you can potentially add six more chapters to your novel.

We will dive into short but specific examples of how authors use time (Graham Greene, John Banville), place (Jessie Burton, Patricia Highsmith), character (Donna Tartt, Paul Yoon), POV (Jeffrey Eugenides, Lauren Groff), and backstory (Michael Chabon, Stephen King) to buoy the dense midsections of their novels as well as maintain pace in plot. This will help class participants better understand how to write a novel in which the middle sustains momentum and narrative depth. 

COST: $250


CATHERINE CAMPBELL is an award-nominated fiction writer and essayist. Her work appears or is forthcoming in The New York Times, The Millions, Kenyon Review, McSweeney’s, The Atlantic, Daily Muse, Arcadia, Drunken Boat, Ploughshares online, and elsewhere. She also ghostwrites articles for high-profile clients in national magazines such as Inc., Harvard Business Review, and Foundr Mag. Catherine earned her Bachelor of Arts degree in Literature and Writing at UNC-Asheville and her MFA in Writing at Queens University. She was born on a little homestead in the Appalachian Mountains of North Carolina, and lives in Asheville with her son Thaddeus and her partner, the writer Brandon Amico.


Click Here To Register:


If you prefer to pay by check, mail your check and a valid email address (so we can send you event information) to our mailing address: Flatiron Writers Room, LLC,   5 Covington Street, NC  28806. Space is limited--you will be registered if space is available when we receive your check.  We will email you confirmation of registration.

Questions? Email us at info@flatironwriters.com
We look forward to seeing you in the workshop!








Saturday, June 3, 9:30am to 3:30pm

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This is a workshop on editing your own writing. Whether you’re just getting started with writing or have already published, in this workshop you’ll get tips that will enable you to expand your writing craft, improve the quality of your written work, and save money on editing. You’ll do short exercises in class and then practice on your own during the break between the two sessions of the workshop. Topics covered include the following:

  • Journey of a manuscript
  • Point of view
  • Dialogue: realism, formatting, and punctuation
  • Showing vs. telling
  • Characterization and world building
  • Punctuation and grammar tips
  • Publishing law


  • All participants will receive discounts on future services
  • All participants will receive handout versions of the slides
  • One lucky participant will receive a free book related to self-editing

Cost: $75

LOUANN POPE, a copyeditor who lives in Mount Pleasant, SC, applies her detail-oriented, analytical mind-set to copyediting a wide range of books (fiction and nonfiction), blogs, and other materials, teaching classes, and offering Ask a Copyeditor help-desk services. She is a member of various publishing organizations, including the Editorial Freelancers Association (EFA), the American Copy Editors Society (ACES), and the Association of Independent Publishing Professionals (AIPP). http://louannpope.com



Wednesdays evenings from May 24 through June 14, from 6 to 8:30pm

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Learning the commerce side of writing is never easy but having a guide to the most effective ways to get your work out there is golden! Join us for writer and marketing pro Catherine Campbell's workshop on dealing professionally with submitting your work and seeking paid employment as a writer.

This class will consist of 4 parts, each dealing with a different aspect of navigating the business side of writing:

  • Write Your Best Agent Query Letter - Workshop and 1-on-1 Analysis (5/24)
  • Getting Started as a Book Critic (with Brandon Amico) (5/31)
  • Getting Started as a Ghostwriter (6/7)
  • Literary Magazine Submissions For Beginners (6/14)

Participants can enroll in one or all of  the four classes.

May 24: Write Your Best Agent Query Letter: 

Workshop and 1-on-1 Analysis In this workshop (for both new and established writers who may or may not be familiar with the agent querying process) we’ll examine the elements of a successful query, review examples of query letters that landed agents, and write a query letter of your own. Bring your current query letter for one-on-one feedback from instructor Catherine Campbell.  

May 31: Getting Started as a Book Critic (with Brandon Amico):

As a book reviewer, you can position yourself as a literary tastemaker, be a champion for emerging authors, and provoke the audience’s deep reflection and thought about a specific work. Brandon Amico and Catherine Campbell will host an overview discussion followed by a Q&A and walkthrough of how to get started as a book reviewer and stay organized for success. 

June 7: Getting Started as a Ghostwriter:

Ghostwriting (“ghosting”) is the act of writing for someone else under their name. This workshop will teach guidelines, best practices and responsibilities you must be aware of in order to build a successful career ghostwriting speeches for politicians, nonfiction articles for company owners, blogs for influencers or celebrities, or even short stories and novels. 

June 14: Literary Magazine Submissions For Beginners:

You've been writing stories, essays, poems and plays for a while and now you're ready to submit your work to magazines for possible publication. But where do you start? And how do you keep it organized? With hundreds of literary and mainstream publications out there, the process can feel daunting.This workshop is designed to help save you time, energy and stress by thinking through and taking your next step as a writer: your submissions strategy.

Cost: $35/per class or $125 for all four.

CATHERINE CAMPBELL is an award-nominated fiction writer and essayist. Her work appears or is forthcoming in The New York Times, The Millions, Kenyon Review, McSweeney’s, The Atlantic, Daily Muse, Arcadia, Drunken Boat, Ploughshares online, and elsewhere. She also ghostwrites articles for high-profile clients in national magazines such as Inc., Harvard Business Review, and Foundr Mag. Catherine earned her Bachelor of Arts degree in Literature and Writing at UNC-Asheville and her MFA in Writing at Queens University. She was born on a little homestead in the Appalachian Mountains of North Carolina, and lives in Asheville with her son Thaddeus and her partner, the writer Brandon Amico.

BRANDON AMICO is a writer living in North Carolina. His poetry can be found in journals including The Awl, Booth, The Carolina Quarterly, The Cincinnati Review, Hayden’s Ferry Review, Hunger Mountain, New Ohio Review, Sixth Finch, Slice, Southern Humanities Review, Waxwing, and Verse Daily. His reviews have been featured by 32 Poems, The Los Angeles Review, Mid-American Review, The Rumpus, and Southern Humanities Review. He is a 2017 BOAAT Retreat Fellow and served as the assistant poetry editor for Tahoma Literary Review. https://brandonamico.com/




Saturday, May 20th 2017, from 10am to 3pm

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Writers are often daunted by the idea of reading their work aloud, whether in a classroom situation or public presentation. This workshop will teach writers to prepare and present confident, clear public readings using the same tools employed by professional actors:

  •    Warming up the vocal instrument
  •    Rehearsing the material
  •    Calming the nerves
  •    Delivering the work

Whether reading for an audience of one or one hundred, every writer can benefit from the self-editing techniques learned when reading their work aloud. Neither acting nor public speaking experience is necessary to benefit from the craft of acting.

During the course of this workshop you will:

  •  Bring a piece of your work you wish to read (one page, double-spaced, two  copies).
  •  Be led in voice and body warm-ups using breathing and vocal exercises.
  •  Read aloud excerpts of published works by other writers to study pacing,  phrasing, word choice and themes.
  •  Be coached individually by Mel as you read your work, with the class observing.
  •  Time permitting, you will get a second opportunity to read for the class  integrating the techniques you've learned.

Previous participants say:

"It was a superb privilege and pleasure to work with someone as knowledgeable and professional as Mel."
"It was absolutely wonderful. Serious business, but also so much fun. As writers, we aren't always the best readers of our work. Mel, who has worked with big-name actors in LA and NYC, is the consummate pro. She's straight-ahead, no fluff, but she also does this magical thing: she gives you, by the end of the day, a fresh confidence in yourself and your work.
"The inspiration we felt as we watched our fellow writers transform into confident, dynamic readers digging into the heart and soul of their own writing was priceless."
"I have my first public reading in June for my MFA graduation. Until your workshop, I was really dreading my thesis reading...but now I see the importance of practicing and embracing the opportunity. Thank you for making me feel like my story was worth a listen!"

Cost: $65


MEL RYANE has had a long and distinguished acting career in both the United States and her native Canada. Her work has included both classical and modern theatre as well as film and television. She was a company member of the Stratford Shakespeare Festival and Shaw Festival, and has performed on the stages of the Manitoba Theatre Center, Vancouver Playhouse, Belfry Theatre, Neptune Theatre, Alabama Shakespeare Festival, New Mexico Rep, Magnus Theatre, Old Globe Theatre, Toronto Free Theatre and Theatre Passe Muraille, among others. She has also worked as an acting and dialogue coach on film and TV projects, taught presentation technique at the corporate level, and has presented this workshop at writer’s conferences across North America.

Mel’s Book, Teaching Will: What Shakespeare & 10 Kids Gave Me That Hollywood Couldn't, was released by Familius in 2014:  "Lively...funny."~ Publishers Weekly  "Hilarious...a bravura performance."~ Kirkus Reviews (featured review)




Tuesday evenings, March 14th though April 11th, 6-8:30pm

This class formed from the instructor’s experience launching her memoir. The small-press publisher was unable to provide a promotion budget, so her promotion efforts have been largely DIY. Many aspiring writers are already promoting their own books or small presses or journals, or seeking agents or publishers for a book in development and have stories and ideas about branding and self- promotion. Many writers have questions and anxieties about what they must or should do to give their books the best possible chance at finding a publisher and readers in today's rapidly evolving publishing environment. This class is structured as a crowd-source forum for sharing advice and caveats about seeking visibility in the literary marketplace. Over the five weeks the class meets, students will work on a promotion strategies for their writing, identifying connections and strengths they can leverage, as well as those they lack and wish to work on. The goal of the course is for each participant to leave with at least one new, exciting idea of what they feel able and willing to do to promote themselves and their work.

Cost: $152.50 for 5 weeks


CHRISTINE HALE is the author of A Piece of Sky, A Grain of Rice: A Memoir in Four Meditations (Apprentice House Press 2016), set in the southern Appalachian Mountains, where she and her parents grew up. Her debut novel Basil’s Dream (Livingston Press 2009) received honorable mention in the 2010 Library of Virginia Literary Awards. She earned her MFA from Warren Wilson College, and teaches in the Antioch University-Los Angeles Low-Residency MFA Program as well as the Great Smokies Writing Program.

NOTE: This is a Great Smokies Writing Program (GSWP) class being held at the Flatiron Writers Room. For more information and to register go to: 


Wednesday evenings, March 1, 2017 through May 17, 2017 from 7 to 9:30PM.


An intensive 12 week writing workshop designed to result in a first draft screenplay or television pilot, limited to a maximum of ten students to be chosen from writing samples (film/TV scripts or plays preferred, but not required).   

Emmy-winning writer-producer Patricia Green will teach writing professionally for the screen, including how to decide which screen to aim for, pitching ideas, story structure and development, character arcs and voices, editing story and dialogue, rewriting and an overview of film/TV production, including working with actors. 

Participants will develop a story, write a short outline and a first draft screenplay or teleplay over the 12 week period, guided by Ms. Green, with one-on-one coaching provided as needed.  Participants should be able to devote enough time to read their colleagues’ work and give feedback as well as doing their own writing for the class.

Some familiarity with film history and access to classic films are recommended.  Participants will also be expected to format their work properly.  For those who don’t choose to invest in Final Draft, the industry-standard screenwriting program, basic screenplay format templates should be available for download.

Cost: $350 for 12 weeks

BYO laptop or writing materials.


PATRICIA GREEN was born in Brooklyn, raised in Bristol, Tennessee and graduated from Wellesley College.  She has written and produced iconic TV dramas including North and South, Cagney and Lacey, L.A. Law, China Beach, Chicago Hope and Christy.  Nominated for seven Emmy awards, she has won three and been honored with the Humanitas Prize for promoting human dignity and freedom through film, as well as Christopher, GLAAD, Golden Globe and Scott Newman awards.  She has taught screen and television writing at the University of Southern California, UCLA and The American Film Institute.  She lives and writes in Asheville, North Carolina.


TO APPLY FOR ADMISSION to this Master Class, please submit a writing sample (film/TV scripts or plays preferred, but not required; writing sample may be of any length but only one sample per applicant) to Patricia Green at info@flatironwriters.com, with the subject heading: WRITING SAMPLE.

Deadline for writing sample submissions is February 21 but eligible applicants will be admitted on a first-come-first-served basis, so applicants are encouraged to submit as soon as possible. 



Saturday mornings, February 18th, 2017 - April 8th, 2017 10am-12:30pm

Tom Chalmers

Tom Chalmers

Maryedith Burrell

Maryedith Burrell

Do you want to write character monologues, commercial parody or political satire? Are you in a comedy group and need to learn how to turn an inspired improv into a written scene? If so, this class is for you!

There’s a reason SNL, The Tonight Show, Full Frontal with Samantha Bee etc. staff their writing rooms with Second City, Groundlings and Upright Citizens Brigade alums. The skills learned at those comedy institutions are invaluable.  Maryedith Burrell (Second City, Groundlings, SNL, Fridays, Seinfeld ) and Tom Chalmers (Artistic Director Groundlings East, Staff Writer: Showtime TV, Director Asheville School of Improv)  bring their comedy pedigrees to this 8-session writing course. 

Through games, writing prompts and collaboration exercises, students will learn how to develop comedy material; how to take an idea and shape it, how to recognize a character with legs, and how to avoid crippling blocks to creative flow. 

Cost: $250 if you register before Feb. 11, 2017, $275 after.

BYO laptop or writing materials.

Limited enrollment.


MARYEDITH BURRELL's career as a writer/performer began with Second City and The Groundlings. She went on to do the TV shows Fridays, Throb, Ron Howard’s Parenthood and The Jackie Thomas Show. She also enjoyed recurring roles on Seinfeld and Home Improvement plus guest appearances on everything from The Tonight Show to SNL. Ms. Burrell is a script doctor who has written for every major network and film studio in the U.S., Britain and Australia.  A published journalist, her essay “An Affair To Forget” appears in the bestseller What Was I Thinking? (St. Martin’s Press.) 

TOM CHALMERS is a graduate of Columbia University. Tom was the Artistic Director of Groundlings East and Literary Manager of LA's Sacred Fools Theatre. He has written for SHOWTIME Television, TBS, and USA Networks. He has taught at NYU, currently teaches at Warren Wilson College, and is the Director of the Asheville School of Improv. He is a member of the Asheville improv troupe Reasonably Priced Babies, and is host and producer of the storytelling series Listen to This.





Monday evenings, February 13th through April 24th, 6-8:30pm

This course is for writers of fiction and creative non-fiction who enjoy honing their craft in a workshop setting. Students should come committed to giving and receiving thoughtful criticism as members of a community of writers. Students will submit two pieces of work for group critique and do in-class writing in response to prompts. For the last class, students will submit one piece of work to a publication or contest. The text will be The Making of a Story: A Norton Guide to Creative Writing by Alice LaPlante, who, along with Shakespeare’s Hamlet, reminds us that when it comes to writing, “Though this be madness, yet there is method in’t.” (Different editions of the LaPlante Book, Method and Madness: The Making of a Story are acceptable). 

Cost: $305 for 10 weeks

HEATHER NEWTON’s novel Under The Mercy Trees (HarperCollins 2011) won the 2011 Thomas Wolfe Memorial Literary Award, was chosen as a Great Group Reads Selection by the Women’s National Book Association and was named an "Okra Pick" by the Southern Independent Bookstore Alliance. Her short fiction has appeared in 27 Views of Asheville, The Drum, Crucible, Wellspring and elsewhere. She is a founding member of the Flatiron Writers, a writers’ collective dedicated to supporting its members and serving as a resource for the broader western North Carolina writing community. 

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“Creating Your Writing Life” With the Flatiron Writers

The Flatiron Writers’ signature workshop is “Creating Your Writing Life.” This all-day seminar, moderated by novelist Heather Newton, is designed for those who want to want to make regular and sustainable room in their lives for writing. The workshop focuses on Routines and Rituals, Space and Environment, Writing Process, and Community. We build in social time to connect with others to network and explore forming or joining critique groups.

Praise for the "Creating Your Writing Life" seminar from past participants:

--"I thoroughly enjoyed your workshop and have many ideas to take home with me!"

--"Practical and utilitarian. Exactly what I was looking for."

--"Impressive speakers--I liked hearing their experiences."

--"Thank you so much--I was hanging on every word!"

“Publicity and the Writing Life” With Kima Jones

These days, whether you land a contract with a large publishing house, small press or self-publish, responsibility for publicizing your book will fall on you. Publicity means sales. But how does publicity work? This workshop (for poets, fiction and non-fiction writers), taught by Los Angeles book publicist Kima Jones, helps writers and artists develop social media strategies that support their larger artistic goals by teaching the how-to's of personal brand curation and writing compelling content that leads to online community growth.

About Kima Jones:

Kima Jones founded and operates Jack Jones Literary Arts, a book publicity company. Her clients include Nina Revoyr, Khadijah Queen, Tyehimba Jess, Sarah Schulman, Dolen Perkins-Valdez, Desiree Cooper, Kimbilio Fiction and BinderCon. As a writer, she has received fellowships from PEN Center USA Emerging VoicesKimbilio Fiction,Yaddo and The MacDowell Colony, as the 2014-2015 Gerald Freund Fellow. She has been published at Guernica, NPR, PANK, Scratch Magazine and The Rumpus among others. Her short story "Nine" received notable mention in Best American Science Fiction. She is an MFA candidate in fiction and Rodney Jack Scholar in the MFA Program

“Prose to Picture” With Maryedith Burrell

This four-hour workshop introduces writers of other media to the fine art of screenplay, but is for any writer who has ever wondered how a good book can become a bad movie or vice versa.  Using lecture, film clips, on-site exercises, discussion and handouts, students get the basics of visual storytelling and dramatic structure plus an opportunity to try their hand at adaptation. No one becomes a screenwriter overnight, but “Prose To Picture” can be an invaluable first step!

About Maryedith Burrell:

Maryedith Burrell is an award-winning writer/performer/director who has written for every major studio and network in the U.S. and England.  With eight features, twelve TV movies, six series and three TV pilots to her credit, shelanded a coveted overall deal with Disney that set her up to be a script doctor on numerous film and television projects.  Most recently, she scriptedEmily Post for Sony.  Also a documentarian, Ms. Burrell has produced for National Geographic, TLC, A&E, History Channel with the latest being NYC: Inside Out for Discovery.  Her essay “An Affair To Forget” appears in the bestseller What Was I Thinking? (St. Martin’s Press.) As an actress, she starred in the TV series Fridays, Throb, Parenthood, Jackie Thomas Show, played recurring characters on Seinfeld and Home Improvement, and has appeared on everything from SNL to The Tonight Show. #OUCH!, a one-woman comedy about her orthopedic adventure in the American health care system, is currently touring and enjoying sold-out audiences.

“Plot: The Map of Your Story” With Lynne Barrett


Writers are often daunted by plot, but understanding it can help you find the core of your story. This workshop with Florida Book Award winner Lynne Barrett will cover the fundamentals of plot and structure with an emphasis on revision strategies, scene, significant action, the roles of characters, complication, movement, and satisfying resolution. The concepts apply to all forms of fiction and are useful for narrative nonfiction and memoir.

About Lynne Barrett:

Lynne Barrett’s book Magpies won the Gold Medal for General Fiction in the Florida Book Awards. Her other story collections are The Secret Names of Women, and The Land of Go and she co-edited Birth, A Literary Companion and The James M. Cain Cookbook. Barrett has received the Mystery Writers of America Edgar Allan Poe award for best mystery story and fellowships from the National Endowment for the Arts and the Florida Division of Cultural Affairs. Her work has been published in Blue Christmas, Delta Blues, Miami Noir, One Year to a Writing Life, Ellery Queen’s Mystery Magazine, The Written Wardrobe, The Southern Women’s Review, and many other anthologies and magazines. She lives in Miami, where she is a professor in the M.F.A. program at Florida International University. You can learn more at www.LynneBarrett.com